Discovering Local Flavor

Earlier this week, a photo album of rare color photographs from early 1900’s Paris circulated around Facebook. You read that right…COLOR photos from the early 1900’s. Here is the link: http://curiouseggs.com/extremely-rare-color-photography-of-early-1900s-paris/.

These photos got me thinking…we all have, thanks to the media, news, and marketing, distinct impressions of what makes a place unique. Wisconsin has dairy farms, Texas has cattle ranchers, California has Rodeo Drive, and New Jersey has the shore. Florida has orange groves and Washington has apples.

When I pitched my short contemporary romance set in Vermont, almost every agent and editor I pitched it to stressed the importance of setting taking on the role of a character in the story. In other words, evoke the setting in the prose. If the story is set in a place, make sure there’s a reason the story is set there. Your story should only be able to take place there, and nowhere else, if the setting is strong enough. If you’re setting a story in Vermont, for example, it seems like it should have a few key things…mountains, ski resorts, maple sugar and fall foliage.
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Why You Should Go to a Conference

With the one year anniversary of The Violet Femmes fast approaching, I’ve realized once again how blessed I am to have such a great group of women supporting me.

As you may or may not know, The Femmes came to fruition at last year’s Put Your Heart in a Book Conference, put on by New Jersey Romance Writers, an excellent sub-group of Romance Writers of America. Encouraged by a glass (or four) of white wine (it’s surprising how much wine can promote creativity), holed up in a hotel room after the awards ceremony, the Violet Femmes were born. It goes without saying that if we weren’t all at that conference, our little group might not exist. Which is what prompted me to write this blog.

First of all, I want to propose that we coin a new term…Pro-ference. Because, really, there are no “con”s to attending a writers conference.

So, here are my top five reasons for attending a Pro-ference…whether it be Put Your Heart in a Book, another local conference, or (gulp!), RWA Nationals:

1.  Camaraderie.  There is no better feeling for a writer than being in the company of others…lots of others…who understand the daily trials, self-doubt, and successes of being a writer. Plus, the sharing usually involves cocktails!

cocktails

 2.   Advice.  Michael Hauge recently spoke at a special event for New Jersey Romance Writers, and he made an observation I found to be true from my first NJRW meeting. Romance writers, he said, above writers of all other genres, are generous to a fault when it comes to sharing information about our business.  Sure, there are egos, but I have never met a romance writer who guarded trade secrets more closely than Colonel Sanders guarded his secret fried chicken recipe. For example, at my first NJRW conference a couple of years ago, USA Today bestselling author Leanne Banks gave the Special Presentation, reserved for the first 100 registrants for the conference. We spoke a bit before her presentation, and I actively participated in a little exercise she conducted.Photo: Me sipping a "Harlequin Heartbreaker" at the Harlequin bash.

Later, she sat on a panel with Susan Litman, of Harlequin, and they talked about what Harlequin looked for in its different lines. Susan had just requested a full manuscript from me when I pitched her my category romance, so I sat in on that session. Leanne greeted me when she came in the room. Afterwards, I cornered her (poor woman!) in the bar as she grabbed a quick glass of wine, and asked her a question that had been nagging me ever since I had pitched to Susan. Leanne spent about fifteen minutes with me, answering questions and giving advice. And I had just asked her one question!

3.  Pitches.  As Michele discussed in last week’s blog, pitching is a prime reason to attend a pro-ference. Where else do you have the opportunity to meet, chat with, and pitch to several editors and agents in one place? Most regional conferences offer pitch sessions. NJRW’s conference offers lots…probably aided by our proximity to New York City, that publishing mecca. This year, NJRW’s Put Your Heart in a Book Conference offers a choice of almost 30 agents and editors…that’s a lot of potential to sell your manuscript!

 4.    Workshops. Probably the biggest draw for serious writers is the schedule of workshops offered. From the craft of writing, to resourcing, to brainstorming, workshops give us writers the tools we need to get the job done…not an easy feat, I can assure you. They help with confidence building, show us ways to get out of that corner we’ve just written ourselves into, and tell us what to do once we feel our manuscript is ready for someone’s eyes other than our own.

5.     Market knowledge. Whether it’s gleaned from editor and agent panels, or in conversations with other authors, finding out what agents and editors are seeking is invaluable information for aspiring and published authors alike. As audience demands are constantly changing, it is important to understand where the minds of the people helping you sell your book lay. Understanding the business of writing is instrumental in getting those books of our hearts published.

So, have you attended a pro-conference? What was your reason for attending, and what did you take away with you?

Hugs,

Jaye

p.s. Stay tuned for a special contest celebrating the one-year anniversary of The Violet Femmes! Thank you to everyone who has followed us over the past year. We appreciate your support!

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